Summary

Please join me at NAB 2008 in the South Hall Lower lever SL2620, the daVinci stand. See my demonstration of SPLICE™, the non-linear front end (virtual Telecine) for the daVinci 2K PLUS.Come see SPLICE™ conform/reconform then unconform a project and record out to tape ..... all with ColorTrace™ technology

Rescue/Toyota

This is currently your Featured Reel

Mastering, Digital Intermediate, Film Colorist

Rescue/Toyota

:30 spot posted at ReaktorPost in San Juan on a ITK Y-Front Telecine.

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Formats

Film, 35mm, 16mm, Any tape format for CC

Software

Not Applicable

Equipment / Technology

Editing/Post-production daVinci 2K+
Editing/Post-production Nucoda film Master

Credits

Credits Project Collaborators
Color Correction Bud Greenspan's "Lillihammer: 16 Days of Glory" Winner-1995 International Monitor Award for Best Color Correction in a Documentary
Color Correction Children of Fate: Life and Death in a Sicilian Family (1993) Nominated: 1994 Academy Award, Best Documentary Feature, & Winner: Best Documentary, 1993 Sundance Film Festival
Dailies The Bourne Ultimatum (In-Production-2007) Oliver Wood DP
Dailies Import/Export (In-production)- Ed Lachman DP (2005-6)
Dailies The Honeydripper- Dick Pope BSC (2006)
Dailies The Education of Charlie Bank- Alex Nepomniaschy DP (2006)
Color Correction Toyota/Camry “Rescue” (2006)
Dailies Under New Managment" Pete Biagi DP <35mm 3 Perf> (2007)
Dailies Shoot First and Pray You Live (Because Luck Has Nothing to Do with It) Robert Bruce McCleery DP <35mm 2-Perf technoscope>(2007)
Dailies Against the Current, Sean Kirby DP <Super 16MM>(2007)
Color Correction Mazda RX8 and MX5 Miata (Website Video) See link under "My Sites" (2007)

Collaborators

Postworks-Soho - Post-Production  

Education